Bach Bibliography Search Result

Series : ^IReviewAesthSociolM$
Max number of results shown : 300
Output sorted : alphabetically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Bar-Yoshafat, Yonatan	Kenner und Liebhaber: Yet another look.	IReviewAesthSociolM	44	1	Jun 2013	19-47
	2.	Dahlhaus, Carl; Brook, Barry S.; Finscher, Ludwig; Etzkorn, K. Peter; Wiora, Walter; Kneif, Tibor; Reeser; Noske; Baethge; Ringer, Alexander L.	Das musikalische Kunstwerk als Gegenstand der Soziologie. [Discussions]	IReviewAesthSociolM	6	1	Jun 1975	67-79
	3.	Einarsdóttir, Sigrún Lilja	Constructing 'My Bach': Relevance of Historical Constructions of Bach for Members in an English Amateur 'Art Music' / Composer-oriented Bach Choir.	IReviewAesthSociolM	46	1	Jun 2015	95-116
	4.	Escal, Françoise	Les concertos-pastiches de Mozart, ou la citation comme procès d'appropriation du discours.	IReviewAesthSociolM	12	2	Dec 1981	117-139
	5.	Fabian, Dorottya	The Recordings of Joachim, Ysaÿe and Sarasate in light of their Reception by Nineteenth-Century British Critics.	IReviewAesthSociolM	37	2	Dec 2006	189-211
	6.	Focht, Ivan	La notion pythagoricienne de la musique: contribution à sa détermination.	IReviewAesthSociolM	3	2	Dec 1972	161-172
	7.	Katalinic, Vjera	Zu einigen Popularthemen in Jarnovick's Violinkonzerten.	IReviewAesthSociolM	18	1	Jun 1987	19-30
	8.	Kutschke, Beate	Johann Mattheson's Writings on Music and the Ethical Shift around 1700.	IReviewAesthSociolM	38	1	2007	23-38
	9.	Laudon, Robert Tallant	The elements of expression in music: A psychological view.	IReviewAesthSociolM	37	2	Dec 2006	123-133
	10.	Lessem, Alan	Bridging the Gap: Contexts for the Reception of Haydn and Bach.	IReviewAesthSociolM	19	2	Dec 1988	137-148
	11.	Seidel, Wilhelm	Moritz Hauptmanns organische Lehre: Tradition, Inhalt und Geltung ihrer Pramisse.	IReviewAesthSociolM	2	2	Dec 1971	243-266
	12.	Wagner, Günther	Exaktwissenschaftliche Musikanalyse und Informationsästhetik.	IReviewAesthSociolM	7	1	Jun 1976	63-76
	13.	Weber, William	Mass Culture and the Reshaping of European Musical Taste, 1770-1870.	IReviewAesthSociolM	25	1-2	Jun-Dec 1994	175-190